Lee Ranaldo & Raül Refree - Names of North End Women
A1 Alice, etc A2 Words Out Of The Haze A3 New Brain Trajectory A4 Humps B1 Names of North End Women B2 Light Years Out B3 The Art of Losing B4 At The Forks (LP edit)
1 Alice, etc 2 Words Out Of The Haze 3 New Brain Trajectory 4 Humps 5 Names of North End Women 6 Light Years Out 7 The Art of Losing 8 At The Forks
Names of North End Women is a collaborative record from Lee Ranaldo + Raül Refree.
“If you鸿运彩票手机app live long enough, you鸿运彩票手机app see a lot of people drift in and out of you鸿运彩票手机appr life,” says Lee Ranaldo, explaining one of the loose themes linking the adventurous pieces that compose his and collaborator Raül Refree’s electrifying new album: that of the ineffable course of time, and the lives that pass in and out of one’s own.
In a remarkable career that has seen him flourish as a songwriter, a singer, a guitarist, a noisemaker, a poet, a visual artist, a producer, and more, Ranaldo has seen many fellow quixotics – from his bandmates in Sonic Youth to this most recent collaboration with Raül Refree, whose restless career had taken him from hard-core bands in his you鸿运彩票手机appth, to the vanguard of a new movement redefining flamenco. One of the most renowned producers in southern Europe, his collaboration with Rosalía on her debut album has shaped both the modern sound of flamenco and her new found stardom.
Following their collaborative work on 2017’s Electric Trim which saw Refree in the guise of producer and the subsequent tours supporting that album, they went back into the studio but the duo quickly realised they weren’t recording a new Lee Ranaldo solo album, but rather their first as Lee Ranaldo and Raul Refree – “the beginning of a new partnership, a new configuration’”, Ranaldo says. “We’re a two-headed machine,” adds Refree. “We’re both talking about everything. We don’t always agree on everything, but every song, every piece, every sound you鸿运彩票手机app hear comes from two people talking about it.”
Recorded in Los Angeles and Barcelona through late 2018 and early 2019. Artwork features the photography of Jessi Reaves.